The Bluest Eye by Toni Morrison

Instead she is merely bewilder as to why this should be true. Frieda and Claudia, however, ar capable nonetheless of evoke on behalf of others and it is this capability for generalized, somewhat disinterested clean anger that holds promise for the future.

The women in the refreshed cover a broad range from the three prostitutes--China, Poland, and Miss Marie (or "The Maginot Line")--who hold up over the Breedloves' storefront home to Pecola's confused and damaged produce to the generalized voices of the adults. Claudia claims that they did not hear their words " nevertheless with grown-ups [they] listen[ed] and watch[ed] place for their voices" (14). Yet the degree of comprehension shown by the sisters increases as the novel progresses and they move from their instinctive reactions to their buzz off's behavior to their reasoned response to the settle of voices that discuss Pecola's tragic circumstances. By the end of the novel they atomic number 18 wise enough to experience moral outrage but childish enough that their "astonishment was short-lived, for it gave way to a meddlesome kind of defensive shame; we were embarrassed for Pecola, hurt for her, and finally we were just sorry for her" (190). They were also childish enough to confide that their magic spell, combined with the sacrifice of their bike money and the religious rite of the marigold seeds, would change the fortunes of Pecola a

Indeed the deuce other principle female figures in the book bring on an equally informative contrast. One of them is Geraldine, the mother of Louis Junior, whose fastidious ways and lack of human connection be shown to result from the supreme nature of her self-interest. Her life mirrors, to the extent possible, that of the white people for whom Mrs. Breedlove industrial plant and her reaction to Pecola when she finds her in her house is exactly what Pecola would expect in such a situation. This is a woman who has attained everything that Pecola's mother finds desirable and she is outspoken in the one emotion that Pecola feels she could perhaps merit form such a person. Geraldine is also, of course, a unblemished blend of Mrs. Breedlove and the unseen woman for whom she works.

If her mother suddenly and cryptically became the mistress of her employer's house she would view Pecola exactly as Geraldine does.

This total statement of the role of women in society would, perhaps, seem overstated if it were not for the fact that the particular women in the novel are not idealized. By the time of the rape of Pecola and the subsequent stain the reader is familiar with the fallibility of Morrison's characters. The nastiness of much of the gossip to the highest degree Pecola does not, therefore, surprise the reader as much as it does Claudia and Frieda. The girls are shocked by the chilling quality of some of these conversations; such as the one in which it is asserted that Pecola ought to be remote from school since "She carry some of the blame" (189). They are, above all, stupid(p) at the lack of genuine compassion and this is, in macroscopical part, because they have come to believe that it is adults' job to display such compassion toward children.

The 'absence' of Pecola's mother when her daughter is raped is echoed in her disappearance from the book. She is present in the end only in the reports of her anger with Pecola--primarily over her disbelief in her story and her disappointme
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