Article Responses- Performance As An Extreme Occasion, By Said

Edward Said , in his 1989 wileicle Performance as an organic Occasion writes that the execution of a music work as rendered by directly s musicians represents the kind of technical mastery that transcends nitty-gritty and catapults the performance into an organic public occasion He begins by mentioning the works of literary and artistic critics who have explored the performance of such arts as painting and writing . He points come to the fore the similarities between this type of performance and that of musicians , save makes the important differentiation that (especially today musicians atomic number 18 less likely to be playacting foots they themselves have composedSaid goes on to identify the extreme state in which a musician must work himself when performing at projects , as opposed to performances that occur privately . In detail , in today s world , the musical performer is oft propagation so largely superior in skill to the attender that the extremity of the performance is much more pronounced because of the meat it has on its listeners . He explores the idea of how music is transcribed today as being almost an art form and highlights the loss between transcription for public use (of former times ) and the elaborate forms of transcription (as done by Liszt and Gould ) which allow the piece to take on a new identity . He describes Liszt s transcriptions as an art of sustained and extended quotation , and ulterior of quotation prolonged elaborately into what Liszt was to call a concert paraphrase or fantasia (Said , 6 . Such forms of execution equal a mode that showcases the extreme talent of the performer non just in technical but interpretative artistic creation , and this Said describes as the extreme occasion that performance becomes for the musicianThe extreme nature of the performances to which Said alludes comes withal from the fact that performers have the added constrict of desiring to sell tickets .

This is true not just of concert performers , but of popular musicians who must show off specialized and grotesque skills Said goes on to describe the performance of such musicians as staked on the performer s interpretive and histrionic personality fenced in by his or her obligatory muteness , upon the audience s receptivity , subordination , and paying patience (Said , 11 Furthermore , changes in the social methods of performance and the social strata to which performers belong have also contributed to the extreme occasion of performanceThe essay by Said was raise in the way he compares music with other art forms , but underscores the ability of the performer to be divorced from the composer in this medium . It points out to me the two distinct forms of excellence that musicians place attain . They can become masters at writing as well as masters of performing or executing works composed by themselves or others . What also was interesting about the particular ideas Said puts forth are his views on transcription as being an art in its own right . The development of transcription from a method of facilitating the amateur or chamber pianist to is elaborately...If you want to nonplus a full essay, order it on our website: Orderessay

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