In 1991, U2 released “One,” a song roughly the end of a relationship, sung from the viewpoint of a someone who was hurt by the significant other. In 2000, Johnny currency released a cover of this song. While the two are correspondent in their basic musical structure, different meanings can be interpreted from the two versions due to their different instrumentality and styles of singing. It is get ahead that the songs are about a relationship ending, but the uses’ viewpoints on the situation at hand seem to differ among the two versions. In the original, by U2, there is a life-size sense of intense emotions and drama, and the listener gets the idea that the persona is rattling distraught by the break-up and would love nothing more than to consider everything better. However, in Johnny Cash’s version, there is a greater sense of finality: the relationship is over and the persona has come to terms with that. This difference of interpretation can be attributed to the musical characteristics of the two versions of this song.
The version of “One” released by U2 is boilers suit very musically dramatic, starting simple, but building up to an extremely full and powerful sound.
It starts with a 4-bar intro with a rhythm guitar, a deuce-ace guitar, a bass, and very uninfected percussion, with the high-hat sounding the quiet backbeat. The rhythm guitar is more prevalent than the lead guitar, with the bass in the background providing a slow, pixilated beat. This steady and quiet instrumentation continues when the vocals start in the fifth bar. Since vocals subdue the accompaniment, emphasis is put on the lyrics of this verse, introducing to the listener what is going on in the song. In bar 21, after the first verse, the instrumentation increases in dynamic and size, as the full drums enter—the cotton gin taking over the backbeat—and the lead guitar crescendos, playing a melancholy, resonant riff that reminds the...If you want to get a full essay, coif it on our website: Orderessay
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