Sir tobys pratical joking has a vicious edge: he forces both unwilling combatants to a duel in 3., and he as well pushes Marias plot against Malvolio to a new extreme, gloating, well have him ina dark populate and bound... we may carry it thus for our pleasure (3.4). This course is criticised in his owm consternation of reprimand in 4.2 and by the efforts of Olivia and Orsino to mitigate Mavolios humiliation in 5.1. Mor3eover Sir Tobys final departure is ugly; he curses Sir Andrew as an ass-head and a coxcomb anda knave, a thin-faced knave. a gull! (5.1). After his own intent to humiliate his friend has resulted in both of them being overcome by Sebastian.
Sir Toby Belch is somewhat unpleasant traits mountain pass a parallel in the sub-plot to the problemativ elements of the main plot. As a result, some critics who view Twelth Night as an ironic complaisant satire regard Sir Toby as a coarse parasite, a hunger-on in his household of his niece, concerned only with his alter existence.
Sir Toby attitudes towards Sir Andrew and Olivia corroborate his theory somewhat, but it is surely to a fault extreme. The knight is made to submit to his nieces anger at his ways -ungracious wretch...Out of my sight! Rudesby, be gone! Olivia shouts in (4.1) - but on the other hand, the playwright permits him satisfaction at the defeat of Malvolio. fleck he is not present at the final nip of recognisation and reconciliation, he marries Maia, the delightful, as is reported in (5.1) again in paralleling developments in the main plots. Sir Toby, through he has his faults,is basically a symbol of the values of humour and jojous living and is therefore a representative of the triumphant spirit of Comedy.If you want to get a full essay, order it on our website: Orderessay
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