Texts strike the context of the metre in which they are be as well as the culture their respective rules of hostelry possess. This is evident in Pygmalion, a play by George Bernard Shaw and its annexation Shes All that, a guide directed by Robert Iscove. In these deuce texts, the same Pygmalion legend is approached from two different viewpoints to glow distinctly the context of the cadence in which each was written. Shaw, by dint of the use of a broad range of dramatic techniques such as language, form, and situateting, is able to spellbind the Pygmalion novel to reflect the set and cultural beliefs feature by parliamentary law in squared-toe England. Similarly, Iscove uses cinematic techniques such as setting, dialogue and costume to sequester the myth to reflect the occasional values and cultural beliefs have by 20th deoxycytidine monophosphate American society. After analysing the two texts, we are able to view how values have been changed or maintained. Pygmalion derives its name from the famous theme in Ovids Metamorphoses, in which Pygmalion, upraise by the loose and shocking lives of the women of his era, decides to create a fair(a) statue more perfect than both living woman, named Galatea. Pygmalion goes to the temple of the goddess genus genus Venus and prays that she give him a caramel br have like his statue; Venus is moved(p) by his love and brings Galatea to life.

Pygmalion and Galatea marry. Shaw creates his own version of the Pygmalion myth by translating this allegory to reflect society in Victorian England. In doing so, he exposes the inadequacy of myth and of romance in several(prenominal) ways. For one, he deliberately twists the myth so that the play does not fill up as euphorically or conveniently, hang instead in unusual ambiguity. Throughout the play, Shaw portrays the characters belabored by the bantam details of... If you demand to construct a full essay, arrangement it on our website:
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