American artist Keith Haring

...he was officiateing to knock kill those barriers between expensive finesse and commonplace objects" (Redd 1997).

The form Haring entrap to express his philosophy was public art. His chalk drawings of frank precis figures of dogs, dancers, snakes and other basic images started to appear on un intentiond advertize space in New York's pipe stations in 1980. He was influenced by cartoons, nightclub culture and music. "Combining the appeal of Disney cartoons with the sophisticated 'primitivism' of such artists as Jean Dubuffet, these underground artworks were bold, humorous, accessible, subversive. . .@ (Haring, Keith, 2000 prowess Library). As Haring's reputation as an artist grew, so did the range of his graffiti; his chalk drawings currently sell from $23,000 to $47,000.

Haring went on to fracture his own visual language. It was a language that came from his childhood and the reality of pop culture that surrounded him in the 1980s, a being make up of musicians, break dancers, hip hop, hustlers, hangers-on, con men, celebrities, artists and art collectors (Gruen 1992). Influenced by his exposure in early life to travel Disney characters, he employed simple symbols -B babies, dogs, hearts -- in his compositions that were cartoonish in nature, using clean black lines combined with brilliant use of bright, bold colors. Although his work appe ard playful, it was the individualal work of a monstrous artist. Hi

The closely far-famed subway chalk drawing is probably "Mickey's Face" which today is precious at $16,000. It's a simple, yet bold, depiction of one of America's (and the world's) most famous icons. The drawing is a continuous line of colour chalk on black topic. Other well-known Haring icons are the barking dog and the little man, but perhaps the most famous is the "Radiant Child" image, a brightly colored, faceless scotch crawling on all fours with lines radiating from the bodge that whitethorn be seen as spiritual light turning the baby into some kind of holy figure; the work is quite an different from traditional religious paintings, however, with its bold colors and simple lines resembling a cartoon.

By using such a simple, placeable symbol as "Radiant Baby" the viewer instanter understands the historical spiritual reference.

In a 1986 journal entry, Haring wrote, "every condemnation I make something I think rough the people who are going to see it and every time I see something I think about the person who made it" (Redd 1997). The universality and accessibility of the "Radiant Baby" work fits perfectly into this philosophy.

Haring's sense of humor can be give in a 1985 self-portrait. Titled "Hee! Hee! Hee!" the ink on paper drawing measures 22x29 and depicts the bespectacled, threadlike artist, hand over his mouth, laughing at himself. The drawing can be seen as a type of a cartoon character. In this manner, he is paying motor inn to one of his richest sources of inspiration. It may also be viewed as a sample of Haring's affinity with his audience, indicating that he is not better than them just because he is the artist and they are the viewers.

Online at: painting.about.com/hobbies/painting/ program library/blharing.

Keith Haring's "commercialism is intrinsic to his work. His pieces were not made for gallery walls, they were made for subways and buildings, and as a result they made the transition to refriger
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.